Cargo Records

Everyone Is People

It's been 2 years since the release of the band’s debut LP This Ain't A Hate Thing, It's A Love Thing (Gringo, 2006) and for what started out as a fun offshoot project for 3 friends, Lords has now taken on a life of it's own.
The band formed in 2003 with all 3 members already having released several records in various acclaimed bands (Twinkie, Wolves Of Greece, Reynolds, Schema, Manrae, The Surf Creatures) rising from the mid-90s DIY underground and fanzine culture in the UK. If Lords had a mission at their formation then it was simply to rebel against the trend for angst and catharsis in punk rock and return to playing music that allowed for communal release and a collective party experience for both band and audience. Maybe to their own surprise this manifested itself in a bastardised but totally natural hybrid of early 20th century blues, squidgy 70s rock and euphoric free jazz coupled to the live energy of the DC hardcore bands that had inspired the members to play music in the first place. Most importantly, it spawned a band that fellow groups and gig-goers alike embraced and supported until the idea of 'Lords' became somehow self-supporting, an entity that no one member was in charge of, that had no rules and was totally unique.

This Ain't A Hate Thing featured in many of 2006's end of year Best Of polls and the band started 2007 with a show at the annual SXSW festival in Austin, Texas that doubled as a research mission into Tex Mex cuisine. They've been invited to play shows with The Magic Band, The Groundhogs, Shellac, Lightning Bolt, Trans Am, The Night Marchers and Archie Bronson Outfit as well as squeezing in tours with labelmates Bilge Pump and The Unit Ama, a split 10 inch and tour with Part Chimp, Todd and Hey Colossus and appearances at the Latitude and Dot To Dot Festivals. Not bad for weekend warriors.

Not that the last couple of years have been one solid party for the band. In fact, at various points it looked likely that they may not continue due to strife of at times unbelievable magnitude. You name it, it happened. Serious stuff - call it bad luck if you like or just call it 'adulthood'. Either will do. Let's leave it at that.

In the middle of this, the band decided to head back into the studio to start work on a 2nd album. Whereas the first record was conceived as a an exaggerated version of the band's live show at the time, the new recordings show an expansion of dynamics and a honing of the band's sound that might be described as 'mature', although not by them. The songs are darker than those on the first album, perhaps reflecting current events for the members. The guitars are more thumping and closer to the righteous blast of their notoriously over-amplified live shows. The drums both anchor proceedings and propel them into even freeer territories than before and whereas the lyrics and vocals on the first album were treated like ecstatic exclamations, the new songs are more centered around the words and the singing - with tremendous results.

Most importantly (and in the face of extreme adversity) their original mission statement of tackling woes and worries head on and coming out the other side smiling remains intact. Unlike their hearing. I guess they are a blues band after all, in the best side smiling remains intact. Unlike their hearing. I guess they are a blues band after all, in the best sense of the word.

UK DATES:
24-Oct Nottingham Art Organisation (W/ Souvaris)
25-Oct Glasgow Nice and Sleazy ::NEW DATE::
26-Oct Newcastle Cumberland Arms
27-Oct Tbc
28-Oct London Luminaire (W/ Oxes, Bilge Pump)
29-Oct Cambridge Portland Arms
30-Oct Bristol Tbc
31-Oct Tbc
01-Nov Brighton Engine Rooms
02-Nov Leeds Cardigan Arms (W/ Bilge Pump)
09-Nov London 93 Feet East (Hokaben Festival)